Mio caro assassino

The plot revolves around a series of murders committed by an unknown assailant intent on keeping the deaths of a small child and her father unsolved. As is the case with most gialli, there's a detective one step behind the murderer, a lush and creepy music score (this time by Morricone), a houseful of suspects, creative and illogical murders, and a downbeat and melancholy plot. What elevates this one above all the others made in that banner year for the genre (1971), though, is the detail given to the script and production. The characters are all fully formed and functional to the story, which itself is well thought-out and clever. The resolution is well-handled, and even if the killer's identity is impossible to guess beforehand, the means in which he (or she) is finally discovered will make you smile. Add to this one of the saddest musical-score main themes in movie history, featuring a woman's voice singing a haunting child's melody, and you have a giallo that fans of the genre should definitely not miss.