
The futility of war was one of Polish director Andrzej Wajda's major themes, and he explored it from nearly every perspective imaginable, using storytelling styles which range from the strictly commercial to those focusing more on symbolic imagery. As this film opens it is 1939, and war seems to be only a distant possibility to a group of vacationing young Polish Lithuanians who are seen greeting their Lithuanian Catholic and Jewish neighbors respectfully. In particular, Witek, a young man hoping to pass his final exams so as to begin university study, is having a bit of a lark, attempting to woo a lovely fellow student, and braving a shotgun blast from her protective father. He and his fellows are full of foolhardy and pompous talk about war and death. Meanwhile, Polish troops are mobilizing to fight the Germans, and the impending storm of war overshadows everything. One of the most idyllic scenes of young love ever committed to film (in the opinion of one reviewer) graces this film, and the story closes just as the war is beginning in earnest. - Clarke Fountain, All Movie Guide
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En beretning om ung tragisk kærlighed | ![]() |
Chronicle of Amorous Accidents | |
Chronicle of Amorous Accidents | ![]() |
Chronicle of Amorous Accidents | ![]() |
Chronicle of Amorous Accidents | |
Chronicle of Love Affairs | |
Chronik einiger Liebesunfälle | ![]() |
Chronik von Liebesunfällen | ![]() |
Chronique des évènements amoureux | ![]() |
Cronaca di avvenimenti amorosi | ![]() |
Crônica de Acontecimentos Amorosos | ![]() |
Crónica de los sucesos amorosos | ![]() |
Kronika ľúbostných nehôd | ![]() |
Kronika milostných nehod | ![]() |
En krönika om kärlek | ![]() |
Kronika wypadków miłosnych | ![]() |
Krønike om kjærlighetens språk | ![]() |
Rakkaustarinoita | ![]() |
Szerelmi krónika | ![]() |
Хроника любовных происшествий | ![]() |
愛の記録 | ![]() |
사랑의 연대기 | ![]() |
Paulina Mlynarska [16] | Alina |